At the beginning of 2024, Aislinn stepped down from her position as Executive Director of Ring of Keys, following two years in the position. Ring of Keys is a non-profit artist service organization that fosters community and visibility for musical theatre artists - onstage and off - who self-identify as queer women, transgender, and non-binary artists. During her tenure, Aislinn helmed the largest and most profitable fundraiser in the company's history, produced Ring of Keys' first gala, featuring performers from Broadway, the movies, and beyond, and increased the RoK profile outside of New York City.
Beginning in late May 2018, Aislinn moved to Chicago to take on the position of Associate Producer at the Chicago Shakespeare Theater. This followed her time originating that same position at the Eugene O'Neill Theater Center. Aislinn is thrilled to be back in the Midwest and able to say "pop" again without shame. In her new position, she also serves on selection committees for Rhinebeck Writers Retreat, SPACE on Ryder Farm, the National Playwrights Conference, American Shakespeare Center's Shakespeare's New Contemporaries, and the National Alliance of Musical Theater.
On the playwriting front, Aislinn's short play Who's Zooming Who? was featured in the Quaranstream Theater Festival in April 2020.
In November 2019, American Theatre Magazine listed Aislinn as one of the Chicago Theatre Workers You Should Know.
In early 2018, Aislinn was thrilled to participate in the selection process of the inaugural Ollie Award granted by the Bret n Paul Foundation. She also spent the 2017/2018 season serving as a reader for that foundation, as well as the O'Neill and SPACE on Ryder Farm. During her nearly two years at the O'Neill, Aislinn also worked closely with the Mystic Aquarium and Director/Writer Lee Overtree on a new sea lion show; was the Associate Producer on the O'Neill's concert version of the musical Tales of the City on Broadway; represented the O'Neill at several industry conferences; and facilitated the National Directors Fellowship as well as the Henson Residency.
In April 2017, Aislinn finished a first draft of her latest play, Everything But, about the impact of technology on modern relationships.
She is also currently in dramaturgical discussions with playwrights including John Cariani, Haleh Roshan, Charlie O'Leary, and James Kennedy.